To power a pair of 20kW Saietta 95-R DC motors, I designed, built and tested a complete lithium battery system consisting of two 12-cell, 48V lithium packs. Each pack contains 12 BlueEnergy EH5 5Ah cells. Connected in series, these packs utilize Linear Technology's state of the art LTC6804 multicell monitor and LTC3300 balancer. These chips communicate via SPI on a demo board, updating and balancing the cell voltages.
I added AllCell PCC48 cooling wax to the battery packs along the outside edges of the cells. The wax is designed to absorb ~1.6kJ of thermal energy, to keep the batteries within their safe operating range throughout a complete discharge cycle in a vacuum. In the event that the batteries overheat, integrated thermistors allow monitoring of the cell's temperature for emergency shutdown.
To mitigate fire and protect the batteries, I designed and built a 0.125" 6061-T6 enclosure to house both the pack, and the management PCB in a streamlined package.
Solidworks assembly of the battery box. After creating the assembly to make sure that the fitment was correct, I made drawings and had the pieces laser cut.
To provide propulsion to our Hyperloop pod at speeds up to 150m/s, we constructed a simple and innately elegant solution. The system consists of two main components, a DC motor and a rotor. The rotor generates eddy currents in the aluminum track, which produce drag propelling the pod forward. The configuration and alignment of the rotor is proprietary and in optimized form generates around 65N of thrust per rotor. The beauty here is that this thrust is generated with no contact forces and grips at any speed, regardless of the weight of the pod.
Constructing a carbon fiber fairing to envelop our Hyperloop pod, we rushed to produce an aesthetically pleasing layup in the weeks leading up to our unveiling and competition. The first attempt turned out poorly, making us repair the mold before we could attempt the second successful layup. The 10,000 square-inch contour constitutes an impressive challenge for even the most experiences composite engineers. After 6 days of late nights in the lab, this is what we produced.
Founded when I was 13, Memorable Music serves to bridge my passions for audio and lighting with memories and joy at all kinds of unique events. The business operated as a hobby, offering professional DJ and event services at an afforable price.
In order to refine the quality control and certification process for twist-stress testing, I re-designed the control system for the rotating armature. My re-design included consolidating the electronics into a single enclosure, changing to operating voltage to a more standard, 12V while also adding a wide range of features including advanced fault detection and shutoff for intermittent cable faults on individual channels down to 2us interruptions.
In order to construct a robust sensor and control system that connects a diverse range of sensors to a series of PIC microcontrollers communicating via a CAN network, I produced these simple printed PCBs. Designed using Eagle, the boards house the PIC, a CAN transceiver and a LM3904 Linear Regulator. Surrounding these components are filter capacitors, power and signal indication LEDs as well as GPIO headers for quick connection to hall effect sensors, IR optical distance sensors, thermistors, and more!
This workshop aimed to provide incoming EE's at the UW with some hands-on experience. Students gained insight into engineering by exploring the components that comprise a simple multivibrator circuit, learning how to solder and seeing it work! Having them work in groups allowed them to problem solve and develop more efficient methods to complete the project while also building community and communication skills. The circuit the students constructed can be found here: https://www.amazon.com/VELLEMAN-MK102-Flashing-LEDs-Kit/dp/B001VCMEVO
A project for an embedded class, I decide to make the classic Snake arcade game on my Alterra FPGA. The game was constructed in SystemVerilog and controlled through the GPIOs of the Alterra De1 board. The 8x8 three color LED array and HEX displays present the state of the game while the buttons and switches on the side of the board provide the user interface.
Over the course of 9 months I worked with Lukas Allenbaugh, Director of the Clay Animation Network, to produce a portable, lightweight, and durable Animation Stand for use in his mobile classes. Wanting a streamlined product designed for the iPad Mini and iStopMotion animation software I researched the optimal camera angle and distance from animating area to engineer ratios and dimensions for the stand. From there, materials and cost comparison determined that the stand should be made from Acrylic plastic. Following prototypes and design modifications the stand components were mass produced in my shop using customized jigs and routers. The photo on right provides an overview of the final product.
The final lab project for one of my electrical engineering classes, I constructed a simple audio mixer consisting of a microphone, two line inputs, a 3-band equalizer (around 250Hz, 1kHz and 4kHz) and output summing control. This project utilized my studies of analog filters, operational amplifiers and basic circuit design.
Working with Wesctom Broadband for one of their area expansions, I was responsible for assisting the senior technicians with the installation of an access point and the installation of service modules on the homes of new customers in the area. During the project I developed wireless network knowledge involving interference, broadcast frequency range and power characteristics, as well as transmitter/receiver configuration and troubleshooting.
After some coding classes and frustrating Google searches, I built this web site for my business to save costs and expand my skill-set. Most of the pages are built using Bootstrap .css and .html elements, with layout, content and navigation modifications to create what can be seen live at Memorable Music Seattle!
In an effort to provide better sound quality at larger events by improving the dispersion of the speaker, I designed and constructed an aluminum T bracket to mount to the top of the speaker, with a small piece of chain attaching to the rear to maintain a desired angle. The two different sizes of clamp used to fasten the speaker and mount to the trussing also gives the speaker-mount system the proper downward angle to project sound evenly across larger crowds. Aerial mounting also eliminates the need for speaker stands, cleaning up the set-up process and improving the 'look' of the overall audio system.
Purchasing this used mixer from Craigslist, I anticipated some work. The headphone jack was loose and intermittent. The cue buttons and faders were also wearing out. The buttons had broken so they didn't bounce back when pressed. Eager to solve the problem myself, I pulled a 1/4 inch headphone jack out of an old receiver and matched the pin configuration, installing it in the mixer. I then repaired the buttons where a small flange had broken. Once done, I reassembled the mixer and tested it out!
A summer project completed with an independent artist in Burien, myself and another worker were presented with metal frames to fill in with increasingly smaller rectangles so that a grapefruit would not fit through. After sketching basic patterns and welding grids, we constructed the gates weld-by-weld, sealing every connection, polishing the final product to be painted and fitted with the wood panels seen in the photo.
Lamp making is an incredibly enjoyable process. Working with different inanimate materials - some electrical, others chemical and physical - there is a satisfaction to combining the elements into a luminaire. The materials were recycled from other projects. All cuts were made with precision saws and routers to build the patterned structure. The white plastic strips running up the outside were heated and bent in order to be adhered to the body of the lamp. The electrical components came from a 120VAC 8W LED kit assembled to fit the nicely in the center, projecting light through a reflective dish that also directed much of the light downwards at the lamp's base.
Accumulation of debris and an old hot-tub caused excessive moisture damage and rot to the original deck. I was hired by the homeowners to remove the old deck and hot-tub, rebuilding the footprint with a new 12" by 20" Cedar deck. Over the course of 2 weeks, I was able to clear the space, re-build and level the joists and footings supporting the deck and install new cedar surface planks. The final product is visible on left.
As part of my duties at Sail Sand Point, I was responsible for in-house equipment maintenence. Part of maintaining a fleet of over 200 boats involves the inevitable damage to hulls and rails on the fiberglass boats. One of the older boats, seen hanging in the first photo hit a submerged object and suffered serious damage that could only be repaired by cutting away the mangled fiberglass and re-building the boat in that area. This process
Underside of the suspended boat, where stringers are seen being pulled down by clamps. The stringers add structural stability to the large patch in the hull.
Once reinforced, a fiberglass filler is mixed with the resin and used to build up the patch area to match the contour of the hull.